| 604 | 2 | 145 |
| 下载次数 | 被引频次 | 阅读次数 |
人工收集和整理2012—2018年在中国市场上映的首轮院线电影信息数据,构建电影需求的嵌套logit回归模型,以新冠肺炎疫情为准自然实验,来量化突发公共事件对电影行业复产复工的影响。结果显示:第一,关于上映时间选择,在恢复营业后,如果所有因为疫情尚未上映的电影选择顺延上映能有效避免过度竞争的局面。第二,关于上映节奏控制,控制好未定档电影的上映节奏,保持适当的竞争能促进经济效益提升。其中,从11月份开始以每周两部的频率上映未定档电影的经济效益最佳。第三,关于上映方式选择,与线下播放相比,疫情期间选择线上播放能及时收回成本并有利于经济收益最大化的实现。研究结论为电影行业制定复产复工策略提供依据,为未来应对突发公共卫生事件提供参考。
Abstract:We estimate a demand model using data of the first run theoretical movies in China from 2012 to 2018. Using the COVID-19 epidemic as a quasi-natural experiment,we quantify the impact of public emergencies on the movie industry. The results showFirst,the release time of movies is critical to the performance of movies. After the resumption of business,if all movies that have not been released due to the epidemic choose to postpone the release,it can effectively avoid the situation of excessive competition. Second,controlling the release rhythm of unfixed movies and maintaining appropriate competition can promote the improvement of economic benefits. Our results show that the rhythm of two movies per week after November 2020 maximizes the economic returns. Third,an alternative for the movie producers in response to the shutdown of theater is to use online platforms. The results provide a basis for the movie industry to formulate strategies for resuming production and work,and provide a reference for future response to public health emergencies.
[1]JONES C J,PHILIPPON T,VENKATESWARAN V.Optimal mitigation policies in a pandemic:social distancing and working from home[EB/OL].(2020-04)[2020-08-01].https://www.nber.org/papers/w26984.
[2]BAKER S R,BLOOM N,DAVIS S J,et al.Covid-induced economic uncertainty[EB/OL].(2020-04)[2020-08-01].https://www.nber.org/papers/w26983.
[3]朱武祥,张平,李鹏飞,等.疫情冲击下中小微企业困境与政策效率提升---基于两次全国问卷调查的分析[J].管理世界,2020(4):13-26.
[4]BAKER W E,FAULKNER R R.Role as resource in the Hollywood film industry[J].American Journal of Sociology,1991,97(2):279-309.
[5]ALFANI G,PERCOCO M.Plague and long-term development:the lasting effects of the 1629-30 epidemic on the Italian cities[J].The Economic History Review,2019,72(4):1175-1201.
[6]SMITH R D.Responding to global infectious disease outbreaks:lessons from SARS on the role of risk perception,communication and management[J].Social Science&Medicine,2006,63(12):3113-3123.
[7]ATKESON A.What will be the economic impact of COVID-19 in the US?Rough estimates of disease scenarios[EB/OL].(2020-03)[2020-08-01].https://www.nber.org/papers/w26867.
[8]BERGER D W,HERKENHOFF K F,MONGEY S.An seir infectious disease model with testing and conditional quarantine[EB/OL].(2020-03)[2020-08-01].https://www.nber.org/papers/w26901.
[9]GILCHRIST D S,SANDS E G.Something to talk about:social spillovers in movie consumption[J].Journal of Political Economy,2016,124(5):1339-1382.
[10]DALTON J T,LEUNG T C.Strategic decision-making in Hollywood release gaps[J].Journal of International Economics,2017,105:10-21.
[11]CALANTONE R J,YENIYURT S,TOWNSEND J D,et al.The effects of competition in short product life-cycle markets:the case of motion pictures[J].Journal of Product Innovation Management,2010,27(3):349-361.
[12]陈学民.电影经济学研究的主题与进展[J].经济学动态,2018(4):97-114.
[13]AHMED S,SINHA A.When it pays to wait:optimizing release timing decisions for secondary channels in the film industry[J].Journal of Marketing,2016,80(4):20-38.
[14]BERRY S T.Estimating discrete-choice models of product differentiation[J].The RAND Journal of Economics,1994,25(2):242-262.
[15]MOUL C C.Measuring word of mouth's impact on theatrical movie admissions[J].Journal of Economics&Management Strategy,2007,16(4):859-892.
[16]ELBERSE A.The power of stars:do star actors drive the success of movies?[J].Journal of Marketing,2007,71(4):102-120.
[17]LEE F L F.Cultural discount of cinematic achievement:the academy awards and US movies’East Asian box office[J].Journal of Cultural Economics,2009,33(4):239.
[18]BERRY S,LEVINSOHN J,PAKES A.Automobile prices in market equilibrium[J].Econometrica:Journal of the Econometric Society,1995,63(4):841-890.
(1)根据猫眼专业版数据统计,2020年1月25日(农历大年初一),全国电影票房收入仅有181万元,与2019年大年初一全国票房收入14.58亿元相比,全国电影票房收入锐降了99.88%。
(2)电影收入:票房收入+版权收入(票房的10%),扣除:(1)电影发展专项基金5%。根据《国家电影事业发展专项资金征收使用管理办法》,电影放映单位在每月8日前根据票房总额的5%向国家电影事业发展专项资金管理委员会办公室(以下简称“专资办”)缴纳电影事业专项资金。(2)增值税和税金及附加税3.3%。(3)中影数字的发行代理费一般为0.917%—2.751%。(4)影院(含院线)的分账一般为52.2%—54.1%。(5)发行代理费用5—15%。(6)宣发费用12—20%。制作方总收入=(总票房-税金)×票房分账比重-服务金+版权收入,大约是总票房的47.6%。
(3)https://baijiahao.baidu.com/s?id=1687553748821829482&wfr=spider&for=pc.
基本信息:
DOI:10.14134/j.cnki.cn33-1336/f.2021.09.006
中图分类号:J943;D63
引用信息:
[1]俞峰,颜菁.突发公共事件对电影行业影响的量化研究[J].商业经济与管理,2021,No.359(09):71-79.DOI:10.14134/j.cnki.cn33-1336/f.2021.09.006.
基金信息:
国家社会科学重大项目“新时代兼顾公平与效率的区域协调发展战略研究”(18VSJ023); 中央高校基本科研业务费专项资金资助项目“中美贸易战中中国的反制产业选择研究”(FRF-TP-19-062A1)
2021-09-15
2021-09-15